Cinematic representations of the Mexican Narco War

This essay provides an overview of the eras of Mexican cinema followed by an analysis of 10 Spanish-language narco cinematic representations, an overview of the eras of American cinema followed by an analysis of 10 English language narco cinematic representations, and a conclusion that compares and contrasts the Mexican and US narco war cinematic experience. Due to divergent national trajectories – Mexico is engulfed in narco violence and corruption while the United States is not – more differences than similarities exist between these national cinematic genres. Dark spirituality themes are also increasingly evident in more recent narco war films.     

The Mexican War: frontier expansion and selective incursion

ABSTRACT

Mexico’s defeat in the war that (in the U.S.) takes the country’s name resulted as much from the strategic context created by unrealized nation-building that followed independence as it did from American tactical supremacy. Three centuries of Spanish empire did not translate into national military excellence due to the decades of revolutionary upheaval that followed the sudden decapitation occasioned by Napoleon’s ouster of the monarchy in Madrid. That the occupation which followed major combat provided salutary lessons learned in dealing with guerrillas rather than a Vietnam-like litany of quagmire eventuated from the conscious designs of military leadership steeped in the same Napoleonic dynamic that had produced our opponent. The United States wisely chose to leave issues of state-building and governance to the Mexicans themselves, while annexing the sparsely populated northern remnant of Spanish empire.