| 生气贯注 气韵天成——艺术创作新论：气化论 |
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| 引用本文： | 李献惠.生气贯注 气韵天成——艺术创作新论：气化论[J].中国人民武装警察部队学院学报,2009,25(1):62-65,71. |
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| 作者姓名： | 李献惠 |
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| 作者单位： | 武警学院科研部,河北廊坊,065000
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| 摘 要： | 气化论哲学认为，天地万物都处于一气运化之中，是气之阴阳交感化生的结果。艺术创作过程，是宇宙之气在主体内部积淀，与主体之气相应同，化生为作品之气的过程。具体说来，包括这样几个阶段：艺术创作的契机：气感；创作前审关心境：虚静与养气；神与物游，以天合天；生气贯注，气韵天成。
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| 关 键 词： | 气化 气 艺术创作 虚静 养气 |
On Artistic Creativity in the Theory of the Functional Activity of the Vital Force |
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| LI Xian-hui.On Artistic Creativity in the Theory of the Functional Activity of the Vital Force[J].Journal of the Chinese People's Armed Police Force Academy,2009,25(1):62-65,71. |
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| Authors: | LI Xian-hui |
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| Institution: | LI Xian - hui (Scientific Research Department, The Armed Police Academy, Langfang, Hebei Province 065000, China) |
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| Abstract: | The philosophy of the functional activity of the vital force thinks that everything is in the functional activity of the vital force. The process of artistic creation is the process of combining and changing of the vital force of universe and the vital force of man. It includes these phases ： the chance of artistic creativity ; the aesthetic state of mind before creativity; let fancy go; the live composition is created. |
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| Keywords: | the functional activity of the vital force the vital force artistic creativity make the state of mind quiet cultivate the vigorous energy |
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