| 试论张艺谋电影创作的两种修辞艺术 |
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| 引用本文： | 孙静波.试论张艺谋电影创作的两种修辞艺术[J].兵团教育学院学报,2004,14(1):27-30. |
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| 作者姓名： | 孙静波 |
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| 作者单位： | 浙江舟山东海学院/舟山电大中文系,浙江,舟山,316000 |
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| 摘 要： | 著名导演张艺谋在他的电影创作中运用了两种电影修辞艺术———象征和夸张,大大加强了电影的造型感染力和视觉冲击力,赋于他创造的艺术形象以巨大的丰富性和强烈的独创性。因此,张艺谋影片的象征、夸张两大艺术特点,是引导他的电影走向世界、创造电影神话的重要因素。
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| 关 键 词： | 张艺谋 电影修辞 象征 夸张 |
| 文章编号： | 1009-1548(2004)01-0027-04 |
| 修稿时间： | 2003年12月3日 |
On Two Rhetoric Art of Zhang Yimou's Film Creation |
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| SUN Jing-bo.On Two Rhetoric Art of Zhang Yimou''''s Film Creation[J].Journal of Bingtuan Education Institute,2004,14(1):27-30. |
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| Authors: | SUN Jing-bo |
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| Abstract: | The famous director, Zhang Yimou, applies two rhetoric art——symbolization and exaggeration in his film creation, strengthening the appeal and the eye impulsive force of his film modeling and endowing great richness and strong unique creation in his artistic image. Therefore the two artistic characteristics play an important role in leading his film into the world and creating the film fairy tale. |
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| Keywords: | Zhang Yimou film rhetoric symbolization exaggeration |
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