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141.
小城镇的社会管理不仅是城镇化发展的有机组成部分,而且对党的十六届六中全会上提出的“构建社会主义和谐社会”具有重要意义。而特殊体制下的兵团社会管理,与全国小城镇社会管理的基本要求既有相同之处,又有其独特之处。加强兵团小城镇建设的社会管理,推进和谐社区建设,不仅有利于兵团经济的发展,更有利于兵团更好地履行屯垦戍边的使命。文章通过对兵团小城镇现有模式的分析,针对当前兵团以人为本的社区建设情况,对兵团小城镇的社会管理的应对措施提出建议。 相似文献
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Nathaniel L. Moir 《Small Wars & Insurgencies》2017,28(6):909-946
This article assesses Bernard Fall’s concept of Vietnamese Revolutionary Warfare in Indochina between 1953 and 1958. It also investigates differences in the conceptualization of Revolutionary Warfare between Fall and proponents of French military doctrine known as la guerre révolutionnaire. The last component of the article considers limits of Fall’s influence on counterinsurgency doctrine. 相似文献
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James Worrall 《Small Wars & Insurgencies》2017,28(4-5):709-733
AbstractThe concept of order is often neglected in the study of conflict – seemingly such a ‘disordering’ process. With the recent increase in the examination of rebel governance however, bringing order back into our understanding of rebel and insurgent groups has much to offer in exploring the everyday politics which connect authorities, rebel movements and the population itself, in a complex mass of intersubjective and power-based interactions and negotiations. Rebels both shape and are shaped by existing forms of order in complex and ongoing ways. This article explores how varying elements interact in the negotiation, framing and enforcement of order and develops an original analytical framework to examine the perpetual negotiations of rebel movements in their attempts to cement their control. 相似文献
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直瞄射击方式是目前坦克采用的主要射击方式。直瞄射击方式受战场通视度及瞄准装置视距的影响,最大射击距离一般在5 km左右。间瞄射击方式不需要直接瞄准目标,不受战场通视度的影响,最大射击距离主要取决于火炮及弹药的性能,一般在10 km以上。未来坦克应具备直瞄射击与间瞄射击一体化能力。通过直瞄/间瞄射击火控技术的对比与分析,提出坦克直瞄/间瞄射击一体化火控方案。一体化火控具有新的技术特色,具有更强的综合作战能力,是未来坦克火控技术发展的一种趋势。 相似文献
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Its long history and destabilising impact notwithstanding, banditry has received scant academic attention in India. Confined mostly to occasional and incident-driven media reportage, the socioeconomic factors that fuelled insurgencies and banditry and the milieu which provided a context for the operations of these outlawed movements received little attention. Cinematic representation of the social banditry phenomenon in the country, based on little or no first-hand research, as a result, suffered from ingenuousness and failed to emerge from the romanticised depiction of insurgency and terrorism which Bollywood, India's movie industry, is known for. Bandit Queen, the biopic of Phoolan Devi, in contrast, stands apart. Scathing criticisms regarding its use of sex as a tool for commercial success notwithstanding, the movie succeeds in drawing the viewers' attention to the persisting social cleavages in India. Using rape as its central theme, it shocks its audience into acknowledging the reality and relevance of social banditry in a country where governance remains an absent entity for a vast majority of its people. That most Bollywood movies depicting social issues have continued to remain aground in romanticism and irrelevance makes Bandit Queen even more relevant in times to come. 相似文献
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