精神困境·救赎之路·孤独之旅—谈鲁迅与史铁生

史铁生是当代著名作家,他的作品思想深邃,精神探索超前,艺术方面也达到一定高度,鲁迅对他的影响很深刻,二人的创作无论在内容方面还是在艺术方面都有异曲同工之妙,二人共同关注着精神困境和生命本真,共同寻找和思考救赎之路,并且用三种相同的方式表达孤独。     

论石鲁根植于传统文化的中国画绘画笔墨辨证观

以中国传统文化思想为切入点,从墨色关系、虚实关系和“多少、繁简”关系三个方面探讨石鲁中国画画论中的笔墨观,得出石鲁的笔墨观不但根植于中国传统文化,又融合了唯物辨证法思想和二十世纪中国绘画新成果．由微见著说明石鲁的中国画绘画思想来源于中国传统文化与唯物辨证法及现代绘酒成果的结合。     

论施绍莘昆曲创作的时尚特征

晚明散曲家施绍莘是明人散曲中之大成者,他采用昆腔新声创制了许多优秀的散曲作品,并且获得非常好的市场反响。施绍莘对晚明音乐突出的贡献是迎合流行口味,把北曲的唱法、乐器等融进南曲音乐中,增强了昆曲的表现力和感染力,使之达到新的审美高度。     

Iran’s Nuclear Fatwa: Analysis of a Debate

For more than a decade, Iran has been referring to a fatwa issued by its Supreme Leader, Ali Khamenei, proscribing nuclear weapons. The fatwa, however, not only failed to influence the process that led to the resolution of Iran’s nuclear crisis, but also has been met with a good deal of skepticism. The most commonly held suspicions about the credibility of the fatwa can be summed up in five central questions: (1) Has the nuclear fatwa actually been issued? (2) Does the fatwa apply to all the aspects of nuclear weapons including their production, possession and use? (3) What is the juridical status of the fatwa? (4) Was the nuclear fatwa issued only to deceive other nations? (5) Is the fatwa really irreversible? This article tries to answer these questions by providing a chronological review of the fatwa and analyzing all the relevant statements by Khamenei. The analysis is conducted against the background of Islamic principles, Shi’a jurisprudence and the history of the Islamic Republic of Iran. The article concludes that the fatwa is a credible religious decree and could indeed contribute to the cause of nuclear disarmament.     

析魏晋南北朝孝文化的特征

魏晋南北朝时期的孝文化有两大突出之处：一个是特剐重视对以《孝经》为核心的孝道的研究和传播,主要表现在皇家重视学习、研究和传播孝道,学者对《孝经》等作了大量注解;另一个是在士族制度等因素的影响下,沿袭了汉代的“孝治天下”．但更具有虚伪性。     

谈苏轼词之沉郁风格

苏轼被归入婉约词的部分作品,其风格并非典型婉约词风,应称为沉郁词才较为准确。在对婉约与沉郁风格进行辨析的基础上,讨论苏轼这部分词作的风格特征,并指出苏轼沉郁词风的开创性意义。     

千古知音话忧思——试论《儒林外史》与鲁迅小说之关系

着重探讨了小说《儒林外史》在当时的历史条件下对传统文化的深刻反思,以及鲁迅在二十世纪新的历史背景下对于这种反思的继续和深化,指出了他们所作的反思在中国文化史上的重要意义。